I loved it. I thought the way it was presented and how it flowed was good for how I learn. I think it took me longer to complete because I would read articles and then mull over them and try to think how that worked or changed the way I would teach. It was very rewarding to me and my students did notice the change overnight. It’s helped me learn to engage my students more and organize my thoughts with a more natural progression for the dance. I get so tired of lecture type teaching with zero questions. I want my students to think more for themselves and know earlier about the hows and whys.

First of all it was a lot of fun for me teaching the class with a different approach than how I learned to dance WCS myself a few years ago. There was more interaction with the students than I’ve seen at other beginner classes.

(The recommended drills and sequence)... were not only a lot of fun but also worked great... in no time it looked like they were dancing West Coast Swing even though it was a simpler version. Everyone was on time, followers waited to be led, and they found it easier to pick up new patterns. Nobody looked at their feet, not once! I danced with the followers and really loved their connection, it really felt like a WCS connection already.

The group was small, but definitely not everybody extremely talented, and still everybody seemed to be able to dance WCS passes that look and feel like WCS within an hour. Definitely will use more of this concept for my next beginner workshop :-) - Miranda Lam

Myles and Tessa emphasize the need for a serious, professional approach to teaching dance.  The stakes of teaching dance are at least as high as being a physical trainer or coach because the student's ego and emotional well-being are even more at risk in dance than in other non-dance physical training.  Therefore they advocate and teach a caring and professional approach that includes correctly given feedback, lesson plans, syllabus, and continuing education. 

To support that vision, Myles and Tessa have created extensive material to aid the WCS teacher, including an extensive syllabus, an online discussion forum, and an invaluable bank of planning and assessment materials.  All of these tools are available to empower the aspiring dance teacher to grow the dance community by recruiting and retaining new dancers.

I really enjoyed the Swing Literacy Teacher Development Program and strongly recommend to anybody who wants to get even more professional as a professional teacher - and even as just a dancer - the lessons helped a lot to gain a deeper understanding of how to approach a West Coast Swing Dance class - thanks to Myles and Tessa for their efforts, especially the almost instant feedback to questions and assignment gradings.

I often feel like other teachers can’t answer all my questions, but with M&T, I am never afraid they won’t be able to answer my questions. I feel safe asking about a conflict in my knowledge and trust that they will straighten me out and never leave me with any lingering confusion or cognitive dissonance. Before working with M&T, I knew I had lots of gaps in my foundation. I feel like M&T poured the water in that filled all the gaps. Their method allowed us to integrate the old info with the new info - I finally got all my random dots of knowledge connected. M&T have developed an awesome system to be able to assess wherever I’m at, and meet me there to build a plan designed for me.

I feel as though in other intensives, instructors will demonstrate patterns and strategies, but will not connect these to the basic skills that are required to perform these patterns/strategies. Myles and Tessa do a fantastic job explaining what prerequisite skills are required to compete the task at hand, and that helps people catch onto the material SO MUCH quicker.

We have a huge class of dancers (especially leaders) who are missing critical skills in their dance, trying to perform patterns and strategies in which they don't have the underlying/supporting skills for. Swing Literacy focuses specifically on filling those gaps in dancers' skill base. I definitely attribute MUCH of my success to your teaching style of skills before patterns.

Learning how best to convey these concepts to students was golden. The assignments were very demanding as you actually have to apply what you learned instead of simply regurgitate it. I’d recommend this to anyone wanting to teach WCS and give your students the best possible chance of coming out of the series with solid fundamentals that make sense no matter what direction WCS takes down the road. If I only had access to these concepts back when first I started I wouldn’t be in the position of having to retrain my body to unlearn years of reinforced bad habits. I feel I owe it to my students to give them the best available information and convey it in the most understandable way I can. I strongly recommend this course.

It's like having a world class teacher - who happens to be a dancer - give you the secrets you need to know to be an effective, creative, inspirational, and inspiring teacher.  It isn't just about dance... its the science behind teaching others.

"I recently had the privilege to assist in large back-to-back newcomer (brand new to WCS) workshops. The first workshop employed the Swing Literacy teaching method, and the next workshop used the more traditional method. Having studied both methods, I expected the Swing Literacy method to work better, but I was not prepared for just how effective it was and how quickly it worked.

During the Swing Literacy segment of the newcomers’ workshop, I noticed the students were able to perform many of the skills to a level I would typically expect from more experienced dancers. Dancing with newcomers and being able to feel their elasticity and having them connect to me like an intermediate dancer was definitely a surprising experience: t was easy and enjoyable - it wasn't a chore or struggle to dance with them. I observed them smiling, laughing, keeping their eyes up, and focusing on their partners. After the workshop was over, I was impressed that they were able to sustain these skills as they practiced on their own.

The traditional-method workshop was taught by very experienced and lovable teachers, but about 10 minutes in, the atmosphere in the room changed. I noticed that the students started struggling: the usual frustrations that go along with learning dance for the first time were back. I had one couple ask me for help with the patterns that were being taught, and the leader refused to dance until he could figure out his own steps. At this point he was so frustrated that no matter what I did, whether breaking down the pattern or asking him to ignore the pattern and just dance had no effect. He was already too stressed out to dance or learn at this point: a common problem that I have seen in many classes.

When I danced with the Newcomers in the traditional workshop, many of their skills that made our dances enjoyable for me during the Swing Literacy workshop had disappeared: they stopped their momentum, they stopped using elasticity, their heads were down, looking at their own feet, and they were all focused on trying to do the patterns instead of leading or following.

As someone who has both danced and taught WCS for years I found myself a little confused during the traditional method workshop - I can only wonder how much the Newcomers must have been struggling at that point. From my personal experience during these workshops I would definitely say that the Swing Literacy method taught WCS in a way that newcomers could easily understand and allowed them to not only progress faster but also to enjoy their experience far more than the traditional method of teaching." -Glenn Clark

As an Advanced dancer and I had been teaching for a few years now with no real training. I’d been looking for something to help grow our community and my knowledge as a teacher. I’d always felt like I could learn more, but hadn’t found any learning programs that were West Coast Swing based teaching.

When I started the Swing Literacy program, literally within the first week my students noticed a dramatic change in my teaching methods. I continue to get compliments from them comparing my teaching early on to where I am today.

Prior to me taking the Swing Literacy TDP, we always wanted something more and knew that we lost people. Since finishing and implementing Swing Literacy methods, we are able to retain many more people and grow the dancers we already have. Our community probably doubled during the first few months of using the new program! My AllStar teaching partners are excited to take the TDP too, inspired by the difference it has made for me and our community.

I immediately saw results after taking the SLDM. For the first time, I had a coherent and structured approach to learning dance. It felt like I had gained knowledge and skills that would have taken many years to develop learning through other methods. As an instructor, the breakdown of the physics of West Coast Swing and progressive pedagogical methods allow me to clearly articulate the fundamental skills of the dance and ensure my students have a strong foundation for their dance education. Each new topic in the SLDM felt like a revelation, impacting my classes, as well as my own dancing, significantly and immediately. Teaching was easier because I understood lesson planning more thoroughly and what people need to know in what order. I still refer back to the SLDM all of the time. My own dance practice is a lot easier now that I have this Swing Literacy language. I've noticed my progress has definitely sped up after doing it. And I started doing a lot better in competition, too!

I recently completed Myles & Tessa’s “How to Teach WCS in 15 minutes” and wanted to give my feedback. As a longtime member of the WCS community, I also have a degree in education and spent almost 20 years in Educational Technology. I know how difficult it is to create content for an online platform that is not just e-text or a video demonstration, neither of which are educationally beneficial to most people. 

This program is refreshingly different. It incorporates sound teaching techniques in both the design and in the delivery of the material. Videos are scattered throughout the program at different points in different lessons, sometimes introducing a concept and sometimes as a summary. Teaching strategies such as KWL and Scaffolding are used to help the learner. Content is delivered in short, easy to digest chunks with clear instructions on how to complete simple tasks that will move your learning along. 

The program introduces and encourages teaching dance through an exploratory/discovery method…. all while using the same exploratory/discovery method to teach you how to teach! With almost 20 years of experience working with educational technology (McGraw, Pearson, Blackboard, etc), I can honestly say that this is an incredibly well-designed program, and I can’t wait to start the next series!

Rather than telling our students exactly where their feet need to be, we are providing them with the fundamental principles of the dance.  This is helping my students achieve a pure lead-follow dance rather than choreographed footwork and patterns.

I have tried this in many of my group classes thus far, and it has been very well received! Many students have approached me and told me that they love how I am teaching complex ideas, but at the same time making them simple to understand.

When I signed up for this program, I expected a what-to-do training session; how to teach the basics, and in what order. To my surprise, they didn’t give us any of this information. Yes, there was a metric ton of materials provided, but they gave us the tools to answer these questions for ourselves.

This was not a lesson in how to replicate Myles & Tessa in dance, or in teaching style. In fact, they avoided preaching subjective, personal opinions like the plague. This was a lesson in how to break down complex material into manageable building blocks, and how to scaffold learning in order to give the student the best possible shot at retaining the material.
 I learned to question everything, myself, and *why* something works or does not work. I learned that while a student must experience success to feel compelled to learn more, there are alternatives to teaching pattern footwork to a beginner in order to give them a manageable task. Many alternatives!

I learned how to shape a more credible WCS dancer in their first 15 minutes, and how to convey the key underlying WCS techniques with relatable analogies and simple drills. This is the tip of the iceberg. Myles & Tessa, you are truly masters of your trade. I am so grateful to have you both as my coach, mentor and dance project manager. Thank you!

The Fast Track Coaching program the best thing I’ve ever done for my dance. Tessa is a peerless diagnostician. I swear it’s like her eyes see dance in slow-mo X-ray. She once told me to stop curling my toes while dancing… when I was wearing boots at the time!! Her teaching methodology is absolutely impeccable. She doesn’t just list concepts; she teaches you how to practice and learn dance so that you can retain the information. Most of my biggest breakthroughs in dance are thanks to Tessa and the more I learn about this dance the more I realize how right she is about basically everything. She got me out of Novice and now she’s gotten me out of Intermediate. The plateaus in my dance not-so-oddly coincide with the periods of time when I was working with her less regularly.